摘要
《張協狀元》是我國現存最早的完整記録净脚表演形態的劇本,從中可以清晰地看出早期南戲净脚的舞臺特徵,即净脚不僅善于運用面部化妝、滑稽詼諧的語言及擊打動作來營造滑稽的舞臺效果,還可一脚多角,塑造衆多個性鮮明的人物形象。且《張協狀元》成書于宋金雜劇至南戲傳奇發展演變的過渡時期,對其净脚的研究在净這一脚色的發展演變過程中具有典型意義。文獻與文物資料記載表明,净脚源于雜劇色副末,説明了雜劇色副末由側重伎藝化表演向扮演故事、塑造人物形象的戲曲脚色净的演變發展。這也顯示了我國戲曲的本質是以脚色飾人物。
ZhangXie Zhuangyuan is the earliest and most complete existing script to record the pattern of Jing role performance.Through close reading of the text,we can clearly see the stage features of the early south-China folk opera Jing role.That is,the Jing role is not only good at using facial makeup,funny language and striking actions to create a funny stage effect,but also shaping a large number of distinctive character images.Moreover,ZhangXie Zhuangyuan was written in the transitional period of the development and evolution of the Song and Jin drama to the Yuan and Ming opera,so the study of Jing role has typical significance in the development and evolution of Jing role.According to the records of literature and cultural relics,the stage features of Jing role mainly come from the FuMo.This shows the evolution and development of opera style from the FuMo to Jing role.The FuMo focus on the performance of the arts,while Jing role focuses on playing the story and shaping the character image.This also shows that the essence of Chinese opera is to play the role of character with Jiaose.
出处
《中国俗文化研究》
2023年第1期71-83,共13页
Studies on Folk Literature
关键词
《張協狀元》
净脚
演出形態
演化
ZhangXie Zhuangyuan
Jing role
performance
form evolution
