摘要
“曹衣出水”是中国美术史上著名的佛画样式,遗憾的是后世并未遗存此类画像。故常以遗存的佛造像来解释“曹衣出水”风格,而画史记载的“曹衣出水”是佛像画,二者并不完全一致。本文梳理了相关的佛像和壁画,提出“曹衣出水”的粉本可能是在古代龟兹地区,并通过交流传到北朝,在公元555年至577年由曹仲达以龟兹画法为基础,吸收南朝绘画传统,创立了“曹衣出水”佛画。
"Cao’s Clothes out of Water",Cao Zhongda’s style of figure painting in which the clothing of Buddhist statues appears to be sticking to the bodies of figures as if they just come out of water,is a renowned technique of Buddhist paintings in the Chinese art history.It is a pity that such figure paintings did not survive;therefore,Buddhist statues of this kind are usually used to explain the style of"Cao’s Clothes out of Water".However,instead of a statue style,it is a painting style,according to art history.This paper,by sorting out relevant Buddhist statues and frescoes,puts forwards the idea that sketches of the Cao style appeared in Kucha and were spread to China through exchanges during the Northern Dynasty(439-581),and that between 555 and 577,artist Cao Zhongda fused painting techniques in Kucha and painting traditions of the Southern Dynasty(420-589)into his own style of"Cao’s Clothes out of Water".
出处
《美术》
CSSCI
北大核心
2022年第10期135-136,共2页
Art Magazine
基金
上海工艺美术职业学院科研创新项目“龟兹石窟佛传图像研究”(编号:2019010020205)的阶段性研究成果
2019年教育部人文社会科学研究青年基金项目“新疆传统建筑研究”(编号:19YJC760037)的阶段性成果。
关键词
曹仲达
曹衣出水
克孜尔壁画
佛画
佛造像
Cao Zhongda
“Cao’s Clothes out of Water”
frescoes in Kizil Grottoes
Buddhist paintings
Buddhist statues
