摘要
通史陈列作为新中国成立后博物馆历史类陈列的主要类型,其诞生可追溯到20世纪五六十年代中国历史博物馆的“中国通史陈列”的塑造。“中国通史陈列”是中国马克思主义史学为代表的通史路径在博物馆领域产生影响的典型案例。这一案例的发生既是特定时代情境下的产物,同时也集中体现了20世纪中国新式通史编纂累积的智识传统。“中国通史陈列”所形成的通史展览范式及其背后的思维架构,以及由此生发的学术议题,至今仍潜移默化地影响着博物馆实践的发展。
As the main type of museum history display after the founding of the People’s Republic of China,general history display can be traced back to the Chinese General History Exhibition,shaping of the National Museum of History in the 1950s and 1960s.Chinese General History Exhibition is a representative case of the general history path represented by Chinese Marxist historiography in the field of museums.The occurrence of this case is not only the product of the specific situation of the times,but also reflects the accumulated intellectual tradition of the new general history compilation in the 20th century.The general history exhibition paradigm formed by the Chinese General History Exhibition,as well as the thinking structure behind it and the resulting academic issues,still imperceptibly affect the development of museum practice.
作者
关昕
Guan Xin(School of History,University of Chinese Academy of Social Sciences,Beijing,102488;Chinese Academy of History,Beijing,100101)
出处
《博物院》
2022年第2期78-85,共8页
Museum
关键词
马克思主义史学
通史编纂传统
中国通史陈列
范式
Marxist historiography
tradition of general historiography
Chinese General History Exhibition
paradigm
