摘要
苏区时期的文艺工作者紧密配合中共的革命政策,创作了大量的美术作品,作为中央苏区革命运动重要力量的"苏区女性"也成为了创作对象。在这些作品中,苏区女性以与传统女性产生鲜明对比的崭新形象出现,反映了当时苏区女性不惧牺牲、革命自主、勇于斗争、无私奉献的精神面貌,并取得了显著的传播效果。苏区美术创作者在女性主题美术创作过程中运用把握受众个体差异,了解受众切实需求并根据不同受众进行个性化传播的创作方法,确立了艺术家应深入基层、了解创作对象本身及其生活环境的实践原则,为之后延安美术的成功打下了坚实的基础。
During the period of the Soviet Area, artistic workers had created a large multitude of fine artworks as a response to the revolutionist policies of the Communist Party of China. "Women in the Soviet Area", as an important force driving the revolutionist movement in the Central Soviet Area, had also become an important object of creation. In these works, women from the Soviet Area demonstrated entirely new images in striking contrast to traditional women, reflecting their spirits of fearlessness in the face of sacrifice, revolutionist autonomy,brave acts of struggle and selfless dedication, resulting in a considerably good communicative effect. By grasping the diversified across different individual audiences and understanding their real needs, the creators of women-themed fine artworks in the Soviet Area employed the creation approach of personalized communication and established the practical principle that artists should delve into the grassroots and understand the objects of creation and their living environments, laying a solid foundation for the subsequent success of fine art in Yan’an.
出处
《美术》
CSSCI
北大核心
2022年第1期89-93,共5页
Art Magazine
关键词
中央苏区
女性
美术作品
图像传播
the Central Soviet Area
female
art works
image transmission
