摘要
过去30年里,雷蒙德·卡佛研究在中国经历了四个时期:引入期(1986—1999),在中国新写实主义影响下,卡佛开始被学界关注,但大部分为译介;发展期(2000—2008),卡佛的极简主义研究浪潮兴起,但对诸多基本问题仍存争议;爆发期(2009—2014),研究成果剧增,叙事学研究方法被广泛深入使用;拓展期(2015—2020),研究视野呈现多样化,包括性别和生态研究。卡佛研究还有很多待继续挖掘的空间。
The scholarship in China on Raymond Carver has experienced four distinct stages over the past 30 years:the inception stage(1986-1999),where Carver became visible,mostly by way of translation,to Chinese scholars influenced by Chinese New Realism;the development stage(2000-2008),where the wave of research on Carver’s minimalism began to surge,though some fundamental issues about the writer remained unresolved;the explosion stage(2009-2014),where the publication on Carver witnessed a sudden increase,largely as a result of the application of narrative theories to the writer;the expansion stage(2015-2020),where more horizons-gender studies,eco-criticism,for example-were introduced to Carver scholarship.There still remain a lot of potentials and possibilities for future Carver studies.
作者
唐伟胜
刘棋文
TANG Weisheng;LIU Qiwen
出处
《外国语文》
北大核心
2021年第6期31-39,共9页
Foreign Languages and Literature
基金
江西省教育厅研究生创新基金项目“背景、行动者、现实效果:雷蒙德·长佛小说的物叙事研究”(YC2020-S191)的阶段性成果。
