摘要
"社祭"是中国上古延续至今的农业祭祀传统,而祭祀地方神灵"萨玛"(sax mags)的坛祠是都柳江流域"侗苗"人群最为重要的"村寨空间"象征。通过田野调查与文献梳理,发现祭祀"萨玛"坛祠的形制在都柳江流域呈现出空间形态上的演变,明清以来逐步与"社祭"传统相融合,折射出都柳江"侗苗"村寨社会两种层次的"历史"演变:一层是人与自然互动而产生的生计方式变迁,即"侗苗"人群在高山与平坝之间迁徙与定居的"村寨"建构过程;另一层是定居的"村寨"居民与明清王朝国家在户籍登记及礼仪制度等社会控制层面上的"互动"隐喻。这两重"历史"表征与都柳江地域社会进入王朝国家疆域的历史进程互为表里,更反映出"中国"历史在明清时期都柳江流域村寨生活中的"演进"形态——在村寨空间和民众信仰上产生的结构性变迁。
She Worship is a tradition of agricultural sacrifice that was carried on in ancient Chinese society,and the altar offering sacrifices to the local god Sax mags is the most important village space symbol of Dong Miao people in the Duliu River Basin.Through field investigation and literature review,it is found that the form of sacrifice Sax mags altar and shrine evolved in the spatial form in the Duliu River Basin.Since the Ming and Qing dynasties,it has been gradually integrated with the tradition of She Worship,reflecting the two levels of historical evolution in the society of Dong Miao village in Duliu River:one is the change of livelihood mode generated by the interaction between human and nature,that is,the village construction process of Dong Miao people’s migration and settlement between high mountains and flat dams;on the other hand,it is the metaphor of interaction between the settled village residents and the Ming and Qing Dynasty countries on the social control level such as household registration and etiquette system.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2021年第4期45-61,205,共18页
Journal of Tsinghua University(Philosophy and Social Sciences)
基金
国家社会科学基金青年项目“都柳江流域侗族民间历史文献的收集、整理与研究”(18CMZ016)。
