摘要
屏风是中韩两国从古至今均在使用的家具。中、韩两国通过长期政治、经济、文化交流,共同成为东北亚文化圈的一部分,两国文化有许多相似、相同之处,屏风就是其中之一。屏风的形制和功能不断发展变化,始终具有特殊的意义。研究从两国博物馆馆藏中收集百余件屏风资料,将屏风分为"画作"和"家具"两种身份分别讨论,分析和总结出18世纪至20世纪初韩国宫中屏风的图像特征,厘清其中受到的中国文化影响,为研究近代中国文化对周边国家的影响、为丰富两国的近代美术史提供帮助。
Since ancient times,the screen has been serving as a kind of furniture in China and South Korea.Through the long-term political,economic,and cultural communication between each other,China and South Korea have forged a shared culture in Northeast Asia with many similarities,among which is the decorative screen.Though constantly evolving in shape and function,the screen still has its special connotation.After analyzing hundreds of pieces of screens collected from museums of China and Korea,this paper discussed the two identities of screens,painting,and furniture.Eventually,the image characteristics of Korean palace screens from the 18th to 20th centuries are summarized,giving us a full image of how they are affected by Chinese culture.Hopefully,it would be valuable for studying the influence of modern Chinese culture on neighboring countries and the art history.
出处
《家具与室内装饰》
2020年第11期76-79,共4页
Furniture & Interior Design
基金
2017年福建省中青年教师教育科研项目(JAS170166)
2019年福建省社科基金艺术学青年项目(FJ2019C043)。
关键词
朝鲜时代
清代
王室屏风
东亚文化
Joseon Dynasty
Qing Dynasty
Royal screen
East Asian culture
