期刊文献+

听觉线索与个体差异对音乐紧张感加工的影响 被引量:1

The influences of auditory cues and individual differences on the processing of musical tension
在线阅读 下载PDF
导出
摘要 音乐无他,张弛而已。音乐紧张感架起了客观音响与主观体验之间的桥梁,是音乐情绪产生的前提和基础。音乐紧张感加工的影响因素主要来自客体与主体两方面。研究发现,声学要素与调性结构是影响音乐紧张感诱发的声音线索,而文化背景与音乐能力是影响听者对紧张感加工的个体因素。未来需要对时间结构与长时程调性结构诱发的紧张感及其机制进行深入探究,这将有助于深化我们对音乐紧张感与情绪加工的认识。 The pattern of tension-relaxation is an essential component in music.Musical tension,building a bridge between objective sound and subjective experience,is important for the generation of musical emotion.On the one hand,musical tension is influenced by acoustic elements and structural organizations of tonal hierarchy,which is supported by theoretic models and empirical studies.On the other hand,musical tension experienced by listeners is also affected by individual differences,such as cultural background and musical ability.Future studies should pay more attention to musical tension induced by temporal structure and large-scale tonal structure.Meanwhile,the mechanism of tension induction also needs to be examined,which will be helpful to deepen our understanding of tension and emotion processing in music.
作者 孙丽君 马小龙 杨玉芳 SUN Lijun;MA Xiaolong;YANG Yufang(College of Art,Nanjing University of Aeronautics and Astronautics,Nanjing,211106,China;CAS Key Laboratory of Behavioral Science,Institute of Psychology,Chinese Academy of Sciences,Beijing 100101,China;Department of Psychology,University of Chinese Academy of Sciences,Beijing 100049,China)
出处 《心理科学进展》 CSSCI CSCD 北大核心 2021年第1期70-78,共9页 Advances in Psychological Science
基金 国家自然科学基金(31470985,31971034) 中国博士后科学基金(Y9BH032001)资助。
关键词 音乐紧张感 调性结构 声学要素 文化背景 音乐能力 musical tension tonal structure acoustic elements cultural background music ability
  • 相关文献

参考文献3

二级参考文献115

  • 1蔡岳建,潘孝富,庄钟春晓.音乐的速度与调式对大学生情绪影响的实证研究[J].心理科学,2007,30(1):196-198. 被引量:27
  • 2Azen, R,,& Budescu, D. V. (2003). The dominance analysis approach for comparing predictors in multiple regression. Psychological Methods, 8(2), 129-148.
  • 3Baddeley, A. (2010). Working memory. Current Biology, 20(4), R136-R140.
  • 4Baddeley, A. (2012). Working memory: Theories, models, and controversies. Annual Review of Psychology, 65(1), 1-29.
  • 5Bailey, J. A., & Penhune, V. B. (2010). Rhythm synchronization performance and auditory working memory in early- and late-trained musicians. Experimental Brain Research, 204{\), 91-101.
  • 6Bailey, J. A., & Penhune, V. B. (2012). A sensitive period for musical training: Contributions of age of onset and cognitive abilities. Annals of the New York Academy of Sciences, 7252(1), 163-170.
  • 7Bengtsson, S. L., Ullen, F.,Ehrsson, H. H.,Hashimoto, T., Kito,T” Naito, E.,... Sadato, N. (2009). Listening to rhythms activates motor and premotor cortices. Cortex, ^5(1), 62-71.
  • 8Bergeson, T. R., & Trehub, S. E. (2006). Infants perception of rhythmic patterns. Music Perception, 23(4), 345-360.
  • 9Budescu, D. V. (1993). Dominance analysis: Anew approach to the problem of relative importance of predictors in multiple regression. Psychological Bulletin, "4(3),542-551.
  • 10Chen, J. L., Penhune, V. B., & Zatorre, R. J. (2007). Moving ontime: Brain network for auditory-motor synchronization is modulated by rhythm complexity and musical training. Journal of Cognitive Neuroscience, 20(2), 226-239.

共引文献32

同被引文献2

二级引证文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部