摘要
中古佛像艺术的中国化对诗歌人物形象描写艺术的发展有着重要影响。基于互通的艺术特征和创作经验,佛像艺术观影响了诗歌"形象"观念的形成,佛像的艺术手法渗透到诗歌人物形象描写技巧之中。佛像的表现内容从展现神圣的佛性发展为高扬世俗人性,这也推动了诗歌人物描写的世俗化倾向。佛教造像艺术奠定了具有华夏美学特征的人物形象形成的基础,进而影响了后世古典文学人物形象描写艺术的发展。
The sinicization of the middle ancient Buddha image art has an important impact on the development of the art of describing the image of the characters in poetry. Based on the mutual artistic characteristics and creative experience, the artistic view of Buddha statue influences the formation of the concept of"image"in poetry. The artistic technique of the Buddha image infiltrates into the description skill of the poem character image. The content of the Buddha’s image develops from showing the sacred Buddha nature to advocating the secular human nature, which also promotes the secularization tendency of the poetic character description. Buddhist statue art establishs the formation of character image with Chinese aesthetic characteristics, and then affects the development of character image description art in later classical literature.
作者
杨贺
Yang He(Jiangsu Second Normal University,Nanjing,Jiangsu 210013,China)
出处
《保定学院学报》
2020年第5期51-59,共9页
Journal of Baoding University
基金
江苏省社科基金青年项目“文学视域下的唐‘佛曲声诗’研究”(16zwc003)。
关键词
中古
佛教
造像艺术
诗歌人物形象
描写艺术
Medieval
Buddhism
statue art
poetry character image
descriptive art
