摘要
位于史学与艺术学等多重视野中的美术史研究已有相当丰厚的成果,但是研究视阈尚显窄化,亟待拓展。可探索建构"一史五论"全面研究体系,"五论"包括对于美术生产、美术消费、美术传播、美术评论、美术教育五个方面的史论研究。并且,在崭新的时代语境下,中国美术史研究正在走向未来,体现未来向度:中国"新时代",是当下美术史研究的崭新历史坐标;文化全球化,要求美术史研究既重民族性又具国际性;文化资本化,为美术史研究提供社会学和经济学视阈;消费社会形成,要关注美术消费和美术对消费的作用;数字时代来临,要研究数字美术史和数字美术馆建设;人工智能来袭,要聚焦技术革命下的美术史之大变革。总之,中国美术史研究须回望经典,面对现实;须向历史和时代深处开掘。
The research of art history, which is located in multiple perspectives such as historiography and art, has achieved quite rich results, but the research vision is still narrow and needs to be expanded. A comprehensive research system of "one history and five theories" can be explored and constructed. The "five theories" include historical studies on art production, art consumption, art dissemination, art criticism and art education. Meanwhile, in the context of the new era, the research of Chinese art history is moving towards the future, reflecting the future direction: China’s "new era" is the new historical coordinate of the current research of art history;Cultural globalization requires the study of art history to be both national and international. Cultural capitalization provides sociological and economic perspectives for the study of art history. In the formation of a consumer society, attention should be paid to the consumption of fine arts and the effect of fine arts on consumption. With the advent of the digital age, we should study the history of digital art and the construction of digital art galleries. With artificial intelligence develops, it is necessary to focus on the great changes in art history under the technological revolution. In short, the study of Chinese art history must look back at the classics and face the reality, and study deep in history and the times.
出处
《南京艺术学院学报（美术与设计）》
CSSCI
北大核心
2020年第3期1-9,I0011,共10页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
2017年度国家社科基金艺术学项目《文化资本与消费社会双重视阈下的当代中国文化消费研究》(17CH221)。
关键词
中国美术史
美术生产
美术消费
美术传播
美术评论
美术教育
Chinese art history
art production
art consumption
art dissemination
art review
art education
