摘要
文章从歌者与乐谱二者所具有的客观理性、主观感性因素入手,指出在声乐演唱中,理性与感性的关系可以双向转化,是动态而无法割裂的。在此基础上,文中进一步分析了歌者与乐谱在“原创性阐释”与“即兴性阐释”两种不同歌唱模式下的不同关系。
Starting from the analysis of the objective,rational and subjective perceptual factors between the singer and the score,this paper points out the relationship between reason and sensibility can be transformed in both directions in vocal music singing,but cannot be separated when it is in dynamic form and.On this basis,this paper further analyzes the different relations between the singer and the score under the two different singing modes of"original interpretation"and"improvisational interpretation".
作者
肖萍
Xiao Ping(School of Music,South China Normal University,Guangzhou,510006)
出处
《新疆艺术学院学报》
2020年第2期54-59,共6页
Journal of Xinjiang Arts University
关键词
声乐演唱
文本
本文
规约性记谱
描述性记谱
Vocal Music Singing
Context
This Text
Prescriptive Notation
Descriptive Notation
