摘要
"明月清风本无价,远山近水皆有情。"无论是融景还是借景都意在为人与环境之间提供一种交融的可能,期待学子们在湖边静谧的校园空间氛围中得以用心去体味和感悟艺术的真谛,这是建筑师所希望唤起的东西。项目有限的建设资金对于设计也许是一种约束,但也催生了"粗粮细做"的设计思想,朴实而富有节制的建筑风格如何表达艺术学校的性格与气质是建筑师希望探讨的课题之一,建筑造型上以几何学秩序为依托并希望赋予清水混凝土一种更加朴素和人性化的表达。总体规划布局中也力求建筑空间的走向和形态能够与武汉本地区的气候特征相适应。
"The bright moon and the cool breeze are priceless,and the distant mountains and the near water are all sentimental."Whether it is a combination of sceneries or borrowing views,it is intended to provide a possibility for people to blend with the environment.Students are expected to appreciate and comprehend the true meaning of art attentively in the quiet campus space atmosphere by the lake.This is what architects hope to arouse.The limited construction budget of the project may be a constraint to the design,butitalso gave birth to the design idea of"coarse grain and fine workmanship".
作者
王小工
WANG Xiaogong(BIAD Deputy Director of the BIAD Education Research Center)
出处
《世界建筑》
2020年第5期106-107,130,共3页
World Architecture
