摘要
中性写作是罗兰·巴尔特在其理论生涯后期明确提出的一个重要概念,它并不是对零度写作的发展,而是具有丰富的理论来源。巴尔特援引耶拿浪漫派及其纲领“文学的绝对”,旨在阐明中性写作首先指向的是文学和文学理论的交互式自我生产,其中第三人称的使用因悬置了“我”的存在性而显示了从语言学到哲学的理论路径。针对耶拿浪漫派“片段写作”的内在矛盾,巴尔特以布朗肖的中性文学观作为参照,在列维纳斯“外存在”(il y a)的启迪下映照出中性写作对海德格尔存在论语言观的超越。中性写作作为面向他者的写作,罢免了自我-主体的伦理优先性,在此意义上,写作的未来将通向一种文学伦理学。
Neutral Writing is an important concept that Roland Barthes explicitly put forward in his later thoughts.It is not a development of the writing of the zero degree but derived from rich theoretical sources.Barthes quotes Jena Romanticism and its core term Literary Absolute in an attempt to clarify that his Neutral Writing points to the interactive self-production of literature and literary theories,in which the use of the Third Person suspends the existence of the subject and shows a theoretical path from linguistics to philosophy.Recognizing the inherent contradiction of Jena Romanticism’s Fragment Writing,Barthes,inspired by Lévinas’"il y a",views Blanchot as a point of reference.Thus Neutral Writing surpasses Heidegger’s ontological view of language.
出处
《国外文学》
CSSCI
北大核心
2019年第4期9-18,152,共11页
Foreign Literatures
基金
西北大学国家社科基金孵化计划项目“罗兰·巴尔特的哲学路径与东西方比较视域下的中性研究”(项目编号:389180010)的阶段性成果
