摘要
在对宋代书法深入研究的基础上,分析宋代禅宗思想的发展与"尚意"书风形成之间的关系,提出禅宗思想促进了宋代文人士大夫自我意识的觉醒,"尚意"书风正是在这样的禅理精神下孕育而出的。而通过入宋僧和归化僧之间的学习和传播,宋代书法的精神内涵也被镰仓时代的武家政权接受并吸收,并由此产生了"墨跡"及随后的"五山样"体式。本文通过文献资料的收集和比较研究,从民族觉醒、武士阶级、禅僧地位以及书画同源四个方面对禅宗书法取代日本的"和样"书法进行了详细的论述。同时,接受中国文化渗透的日本文化对中国书法和文化也产生了反影响,这对了解中日文化之间的关系具有特别重要的启示意义。
On the basis of in 一 depth study of Song Dynasty calligraphy , this paper analyses the relationship between the development of Zen thought in Song Dynasty and the formation of Imagery Calligraphic , and puts forward that Zen thought promoted the awakening of self - consciousness of literati and doctors in Song Dynasty , and that Imagery Calligraphic was bred under the spirit of Zen philosophy. Through the study and dissemination among monks , the spiritual connotation of calligraphy in the Song Dynasty was also accepted and studied by Japanese calligraphers in Kamakura Age, which resulted in the formation of "ink marks" and subsequent " Wushan Style". Through the collection and comparative study of documents and materials, this paper makes a detailed discussion on the replacement of Japanese "harmony" calligraphy by Zen calligraphy style from four aspects : national awakening, ruling class, monk status and the homology of calligraphy and painting. At the same time , the Japanese culture that accepts the infiltration of Chinese culture has also had a negative impact on Chinese calligraphy and culture , which has a particularly important enlightenment for understanding the relationship between Chinese and Japanese culture.
作者
冯青
FENG Qing(School of Arts , Xian University of Science & Technology, Xian Shaanxi 710054)
出处
《艺术百家》
CSSCI
北大核心
2019年第1期144-148,共5页
Hundred Schools In Arts
基金
2017年度国家社会科学基金艺术学项目"两宋时期海上丝绸之路美术交流史研究"(项目编号:17CF199)阶段性成果之一
关键词
中国书法
文化
美学内涵
禅宗
尚意
Chinese Calligraphy
Culture
Aesthetic Connotation
Zen
Imagery
