摘要
本文对俄罗斯艾尔米塔什博物馆所藏科兹洛夫劫自额济纳旗黑水城的绘画作品的数量进行了统计 ,简要介绍了从俄苏时期到苏联解体以后近一个世纪俄罗斯学者对黑水城具有藏传风格的绘画———唐卡———的研究状况 ,并就近 5 0年间 ,特别是近 10年之内欧美学者对西夏唐卡研究的范围、研究方法等进行了述评。文章同时回顾了国内的唐卡研究状况 。
Tangka is a kind of Tibetan styled paintings on cloth, silk and brocade, usually served as the temple banner. In the early 20th century, P. K. Kozlov, a Russian geographer, excavated and sacked quite a few paintings from the Town of Heishui, known in Russian as the Town of Khara Khoto, in Ejina Banner, Inner Mongolia, China. From then on, the paintings have been collected in the Ermitazh (or Hermitage) Museum in Russia. This paper first counts up the number of these paintings collected in the museum, and then gives a brief introduction to the studies on tangka by Russian scholars from the pre-Soviet to the post-Soviet periods, in nearly a century. Furthermore, a review is made on the range and methodology of tangka studies by European and American scholars in the past 50 years, especially in this past decade. At the same time, the paper made a review on the tangka studies in China, with a conclusion that the domestic study on the Tibetan styled arts, including tangka, still remains a domain needed to be developed by scholars.
出处
《民族研究》
CSSCI
北大核心
2002年第1期82-91,共10页
Ethno-National Studies
关键词
唐卡
黑水城
西夏
绘画
tangka
Town of Heishui (or Town of Khara Khoto)
Tangut.
