摘要
As the city’s soft powef,culture is the basic core of urban competitiveness. The spatial concentration of cultufal facilities can show the development status of the dtfs cultural functions in the spatial kyout. In this paper,POI data of Baidu Maps were used to conduct kernel density analysis and comprehensive evaluation of the spatial distribution of cultural facilities in Shenzhen; mean center point method was used to measure the degree of deviation between Shenzhen population centers and cultural facilities centers; the nearest distance method was used to measure the spatial distribution of cultural facilities space and the accessibility to geometdc centers of streets. The results showed that among the four types of cultural facilities in Shenzhen, librades were the most concentrated, accounting for 63% of the total number of cultural facilities, followed by cultxite and arts centers, museiims, and galleries; tiiere was a great disparity in the number of cultural facilities in various districts and subdistricts in Shenzhen, with a clear agglomeration effect in space; from the district level, cultural faculties spatially distributed from the southwest to the northeast by three gradients; from the street leviel, cultural facilities showed the distribution pattern of ^decreasing from west to eastf and a high d^tee of recognition for convenient transportation; the cultural facilities inside the Shenzhen Special Economic Zone （except Yantdan District） were more reasonable in spatial distribution, and the number of people served was more than that of cultural Realities outside the Shenzhen Special Economic Zone, while residents outside the Shenzhen Special Economic Zone enjoyed significantly more cultutal facilities than that inside the Shenzhen Special Economic Zone; the goal of the e￡10-min cultutal dtdeJ, in Shenzhen had been initially completed, that is, residents could reach 72.41% of the streets with cultural facilities within a 10-min ／raJk, but thefe were still 50% districts and 5.1% streets that wefe equipped with, unreasonably distributed cultufal facilities or few cultufal facilities.
As the city's soft power, culture is the basic core of urban competitiveness. The spatial concentration of cultural facilities can show the development status of the city's cultural functions in the spatial layout. In this paper, POI data of Baidu Maps were used to conduct kernel density analysis and comprehensive evaluation of the spatial distribution of cultural facilities in Shenzhen; mean center point method was used to measure the degree of deviation between Shenzhen population centers and cultural facilities centers; the nearest distance method was used to measure the spatial distribution of cultural facilities space and the accessibility to geometric centers of streets. The results showed that: among the four types of cultural facilities in Shenzhen, libraries were the most concentrated, accounting for 63% of the total number of cultural facilities, followed by culture and arts centers, museums, and galleries; there was a great disparity in the number of cultural facilities in various districts and subdistricts in Shenzhen, with a clear agglomeration effect in space; from the district level, cultural facilities spatially distributed from the southwest to the northeast by three gradients; from the street level, cultural facilities showed the distribution pattern of "decreasing from west to east" and a high degree of recognition for convenient transportation; the cultural facilities inside the Shenzhen Special Economic Zone(except Yantian District) were more reasonable in spatial distribution, and the number of people served was more than that of cultural facilities outside the Shenzhen Special Economic Zone, while residents outside the Shenzhen Special Economic Zone enjoyed significantly more cultural facilities than that inside the Shenzhen Special Economic Zone; the goal of the "10-min cultural circle" in Shenzhen had been initially completed, that is, residents could reach 72.41% of the streets with cultural facilities within a 10-min walk, but there were still 50% districts and 5.1% streets that were equipped with unreasonably distributed cultural facilities or few cultural facilities.
