摘要
作为很多领域的民族志基础,美国社会学主要流派之一的符号互动论,以社会现实为研究对象,通过主张"客体的意义是社会建构"和微观社会互动多样性的前提研究艺术发展的路径。本文以赫伯特·布卢默和霍华德·贝克尔为代表的艺术社会学符号互动论的基本观点为研究视角,从舞台民间舞的概念观、创作观以及互动机制等方面尝试探究舞台民间舞的文化本质。
As the foundation of ethnography in many fields,symbolic interactionism is one of the main schools of American sociology. With social reality as the object of study,it advocates a construction of people＇s social reality and microcosmic interaction as the premise of art research. This paper discusses views of conception,creation and interaction in the field of theatrical folk dance and explores the essence of folk dance based on the ideas of Herbert Brummer and Howard Becker.
作者
喻洁
YU Jie(Guangzhou Arts School, Guangzhou 510520,Chin)
出处
《北京舞蹈学院学报》
CSSCI
2018年第1期36-40,共5页
Journal of Beijing Dance Academy
关键词
符号互动论
舞台民间舞
文化探析
symbolic interactionism
theatrical folk dance
cultural exploration
