摘要
七律的声律发展和定型经历了南朝的萌芽、初唐的初成、盛唐的停滞与大历的成熟和定型等几个阶段,其中南朝七律数量不多,非律句较多,这种情况,到了初唐武后、中宗朝始有变化:一是非律句急剧减少,二是合律篇数大幅提高。盛唐七律由于频繁失粘,合律率并不高。大历时,合律率大有改观,七律得以最终定型。杜甫虽为盛唐诗人,但其七律之作,多成于晚年,与大历相近,因此,其创作也可视为这一时期的一部分。七律的渊源,可以追溯至七言一韵新体中的八句一种,而与七言转韵新体的关系较远。
The Qilü verse （eight-line seven-syllable Chinese metrical verse） underwent an evolution from its origin in Southern Dynasty, emergence in early Tang Dynasty, stalemate in high Tang Dynasty through the mature and formation in Dali Reign. In the Southern Dynasty, there were only sporadic Qilü verses. After the period of Emperor Wu Zetian and Zhongzong Reign, there emerged a sharp increase of the metrical verses. However, Qihi verses written in the high Tang period were not very consistent with the metrical requirements. The Qilü verses written in Dali Reign period are much more metrically conforming, which formed the final frame of the verse. Though Du Fu was a poet in high Tang period, his Qilü verses were most written in his late years, very close to the period of Dali Reign. Hence those works can be regarded as part of Dali poems. The origin of Qilti dated back to a new style featured in seven-syllable in one rhyme, rather than the seven-syllable in several rhymes.
出处
《井冈山大学学报（社会科学版）》
2017年第1期92-100,共9页
Journal of Jinggangshan University(Social Sciences)
基金
国家社科基金青年项目"传统七言古诗体制及其演变研究"(项目编号:15CZW029)
关键词
七律
平仄
律句
对仗
定型
渊源
Qilü
ping ze
metrical verse
couplet
formation
origin
