摘要
近年来,安徽花鼓灯学术研究工作蓬勃开展,呈现出多元发展的局面,热点集中于花鼓灯缘起与变迁、文化意蕴和保护与传承等方面,基本形成了三种代表性研究模式,在取得丰硕成果的同时也暴露出明显不足。花鼓灯作为一种文化现象,实质是沿淮民众应对生态灾变的一种文化制衡与心理适应。因此,有必要在生态人类学的研究视角下,从"人水和谐关系"的维度,开创全新的"生态灾变——文化制衡"研究模式。
In recent years, the academic work of Anhui Huagudeng flourished, showing a diversified development of the situation.The study concentrated on origin and vicissitude, cultural connotation and the protection and inheritance, and basically form three types of representative research mode, which achieved fruitful results, and at the same time also exposed obvious insufficiency.Huagudeng, as a cultural phenomenon, is actually a kind of cultural balance and psychological adaptation of people coping with the ecological disaster along Huaihe river. Therefore, it is necessary to create a new ＂ecological disaster -- cultural balance＂ model in the perspective of ecological anthropology and from the dimension of ＂people and water in harmony＂.
出处
《阜阳职业技术学院学报》
2016年第3期47-49,共3页
Journal of Fuyang Institute of Technology
基金
2016年度安徽高校人文社会科学研究重点项目(SK2016A0294)
关键词
花鼓灯
生态人类学
创新
Huagudeng
ecological anthropology
innovation
