摘要
花鼓灯的起源可以归纳为神话、传说及民俗;宋代民俗艺术;印度梵文化三种观点。其中又以源于三棒鼓、讶鼓、社火、秧歌、打夜胡等宋代民俗的观点最具代表性,影响也最大。本文在介绍和辨析的基础上,提出傩是花鼓灯的艺术起源和文化内核,它历经岁月的演进,与艺术要素不断地分离、强化,最终完成了向民间歌舞的转化,花鼓灯乃是其中之一。
The origin of Huagudeng could be generalized into three different theories-myth,legend and folklore; folklore and art of Song Dynasty; and Sanskrit culture of India,among which the second one,including Sanbanggu,Yagu,Shehuo and Yangge,is the most typical and influential. Based on the analysis of these theories,the author of the essay propose the idea that Nuo （the ritual of exorcising demons） is the artistic origin and cultural core of Huagudeng. With the passage of time and separation,enforcement of different artistic elements,Nuo eventually is transformed into folk songs and dances and Huagudeng is one of this kind.
出处
《北京舞蹈学院学报》
北大核心
2010年第1期22-28,共7页
Journal of Beijing Dance Academy
关键词
花鼓灯
神话传说
宋代民俗
傩
Huagudeng
myth and legend
folklore and art of Song Dynasty
Nuo
