摘要
伽达默尔的"审美无区分"概念的思想基础,来自于胡塞尔的意向性理论。胡塞尔的意向性理论中的意识与被意指物之间的不可区分的特征,从根源上深入到了审美意识的抽象及"审美区分"思想形成的原因,构成了伽达默尔"审美无区分"对"审美区分"思想批判的基础。在胡塞尔意向性理论的基础上,伽达默尔的"审美无区分"思想认为,审美意识本身并不是纯粹的,是不能从人类的意识整体中区分开来的,审美意识和审美对象是不能分离的,审美意识和审美对象之间是同一的关系。因此,审美判断的纯粹性只是先验的设定,非审美要素是在审美判断时无法回避的。所以对艺术的理解,审美是内核,但不是唯一。
Gadamor＇s theoretical weapon to criticize the abstraction of aesthetic consciousness and the idea of＂aesthetic distinction＂derived from Husserl＇s theory of intentionality and Heidegger＇s fundamental on- tology of existence. Husserl＇s theory advocates that there is no distinction between consciousness and its object,thus provides a base for Gadamor＇s criticism of the abstraction of aesthetic consciousness and the i- dea of＂aesthetic distinction＂. Based on Husserl＇s theory of intentionality, Gadamor＇s thought of＂aesthetic non--distinction＂holds that the aesthetic consciousness is not pure in itself and it cannot be divided from the wholeness of the human consciousness. The aesthetic consciousness cannot be separated from the object of aesthetic appreciation; unity is the relationship between the aesthetic consciousness and the object of aesthetic appreciation. The theoretical source of the idea of＂aesthetic non--distinction＂comes from Phe- nomenology,and the thought has become an important part of the aesthetic thought of Phenomenology.
出处
《甘肃理论学刊》
2016年第2期46-50,共5页
Gansu Theory Research
关键词
意向性
审美区分
审美无区分
Intentionality
＂Aesthetic distinction＂
＂Aesthetic non-- distinction＂
