摘要
当今艺术危机与审美危机出现的原因之一是用抽象的审美意识去代替对艺术的理解,用单一的审美经验对艺术的整体经验进行覆盖,从而在对艺术理解的维度中只剩下了审美,这是对艺术经验的审美意识抽象化处理,这是构成艺术经验的异化的内在根源,也是西方主体化美学倾向下体验学、纯粹美学等产生的根本原因。伽达默尔在反对审美区分的基础上提出了"审美无区分",认为艺术经验是一个包括了审美经验在内的经验整体,艺术对真理认识的特殊性体现在艺术经验的整体性中。从强调艺术经验整体性特征而言,伽达默尔审美无区分思想可视之为反拨艺术经验异化的思考,这也是西方文化研究思潮在美学研究上的反映。
The main reason of today＇s art and aesthetic crisis is utilizing the abstract aesthetic conciousness to replace the understanding of art and aesthetic experience and the overall artistic experiences.Thus the dimension of understanding art is only the aesthetic experience,which is an art abstract approach to the alienation of artistic experience.Gadamer creates a term ＂aesthetic non-differentiation＂ based on ＂aesthetic differentiation＂ to oppose aesthetic method of art theory.Gadamer stresses that artistic experiences should be integrated with aesthetic,religious,ethical,economic and political experiences.And this also reflects western cultural studies of aesthetics.
出处
《丽水学院学报》
2011年第3期42-46,共5页
Journal of Lishui University
