摘要
《阿Q正传》《呼兰河传》是鲁迅、萧红以自己家乡承载启蒙主义创作主旨的代表性作品,一个为人作传,一个为城作传,两者都打破了传统的线性时间桎梏,创建了格式特别的时空形式,成就了它们"历史存在的位置"。在《阿Q正传》《呼兰河传》的空间设置比较中可以看出,萧红对鲁迅传统的继承,是一种真正意义上的继承,她不仅以鲁迅的艺术表现方式继承了"改造民族灵魂"的"未完成的事业",还从精神上领悟了鲁迅"创造小说新形式"的真谛,在继承的基础上融入自己的艺术个性、对空间观念的独特理解、女性丰富细腻的情感和东北地域文化特质,创造了全新的以空间为主角、以空间展开结构全篇的小说形式,完成对鲁迅传统的创新与发展,形成小说创作中的新传统。
Both LU Xun＇ s The True Story of Ah Q and XIAO Hong＇ s Hulan River are representative works to express the author＇ s enlightening purpose. Although one story for a person,the other for a city,they both broke the restriction of liner time,and created a special four- dimensional form,which achieved their historical position. From the two masterpieces,we could see XIAO Hong＇ s inheritance is a true one. She not only used LU Xun＇ s artistic expression to call for reconstruction of People＇ s Soul as an unfinished job,but also mastered LU Xun＇ s spirit of Creating New Form of Novel. She brought into work her own artistic character,her unique understanding of spatial concept,her sensational feeling and regional trait of Northeast. With a brand new form,she gave priority to space,and used it to unfold the whole structure. That is an innovation and development of LU Xun ＇ s tradition,and formed a new one for novel composition.
出处
《北方论丛》
CSSCI
北大核心
2015年第4期52-57,共6页
The Northern Forum
基金
佳木斯大学人文社会科学重点科研项目"萧红小说的空间叙事研究"(2014WZD08)
黑龙江省大学生创新创业训练计划项目"萧红小说空间形式研究"(201410222009)
