摘要
鸨母作为元代士妓恋爱杂剧中次要的、反面角色,长期以来为论者所忽视,其实她们在剧情发展、戏剧冲突等方面都有着不可替代的作用。尤其是她们对传统纲常的挑战和对女性传统的颠覆,则反映了那个时代的人性畸变和世态炎凉,其言谈举止则折射出元代文人的现状,更是元杂剧作者创作视角下移的体现。
As secondary antagonists in dramas of love between scholars and prostitutes in Yuan Dynasty, bawds have long been ignored by researchers. As a matter of fact, they played an irreplaceable role in development of plots and drama conflicts. In particular, their challenge to the traditional moral principles and virtues and their negation of women＇s traditions reflected the distortion of humanity and inconstancy of people＇s relationships. Their remarks and behaviors all reflected the scholars＇ situation of that time as well as the down-shift perspectives of writers of Yuan dramas.
出处
《内江师范学院学报》
2015年第5期38-41,共4页
Journal of Neijiang Normal University
关键词
士妓恋爱杂剧
鸨母形象
文化蕴涵
dramas of love between scholars and prostitutes~ images of bawds~ cultural connotation
