摘要
文学与社会学相互依存又自觉排斥,中西文学理论历来关注文学与社会的互动关系。罗伯特·埃斯卡皮继承斯达尔夫人、圣伯夫、丹纳和朗松等人的观点,明确了文学的社会性,用实证研究的方法对文学的生产、流通和消费进行有效考证,提升了大众对文学的认识,创新了文学批评的方法。他的理论体系论证了文学性和社会性融会的可能性,却忽视了它们融会的有限性。
There is a natural bond between literature and sociology, though they repel each other consciously. The interactive relationship between literature and society is always paid more attention by Chinese and Western literary theory. Robert Escarpit carries forward the viewpoints from Madame de Sta？l, Charles Augustin Sainte-Beuve, Hippolyte Adolphe Taine and Gustave Lanson, confirming clearly the sociality of literature. He conducts effective empirical research on the literary production, circulation and consumption, which elevates the general public＇s notion of literature and develops approaches to literary criticism. His theoretical system proves the possibility of intergrating literariness and sociality, but ignores the finiteness of their integration.
出处
《广东外语外贸大学学报》
2015年第1期72-76,共5页
Journal of Guangdong University of Foreign Studies
基金
湖南省教育厅科学研究项目"翻译文学的译者介入研究"(13C906)
湖南省哲学社会科学基金项目"二战时期的法国战争小说研究"(13YBA422)的阶段性研究成果
