摘要
屈原开创的一种新兴文体,经宋玉、枚乘、司马相如迭代创变,终于形成一种名为赋的文体。但在"赋者,古诗之流"的赋体起源观影响下,东汉《楚辞》注家王逸开始以《诗经》解释屈原作品中的"诗"字,洪兴祖《楚辞补注》承此不变,遂使"赋自《诗》出"的观念牢不可破。通过梳理以《诗经》释屈赋之"诗"的阐释现象,绾合《诗经》在南楚传播的特点及出土文献《采风曲目》考证屈赋之"诗"字不指《诗经》而指"自作之辞",揭示出儒家《诗》教观念对赋体缘起问题的遮蔽。
Qu Yuan created a new writing style,experienced the iterative changes by Song Yu,Mei Chen,Sima Xiangru,finally formed Fu.But in the impact of the origin of ' Fu,is the flow of ancient poems',the Eastern Han Dynasty annotator Wang Yi began to explain the 'poem' of Qu Yuan's works,Hong Xing Zu processed 'Chu ci' unchanged,hence the view of 'poem out the Fu' was formed.Through combing the phenomenon of interpretation of Qufu poem by the book of odes,with the South Chu characteristics and excavated documents 'Cai Feng Qu Mu' to confirm the poem of Qufu is not refer to the self creative words in the book of odes. 'poem' reveals the Confucian view of 'poem' cause problems for shelter.
出处
《中华文化论坛》
北大核心
2015年第3期41-46,192,共6页
Journal of Chinese Culture
关键词
屈赋
“诗”
《诗经》
误释
Qufu,poem,the book of odes,misinterpretation
