摘要
从几个方面对景观艺术设计进行探讨 ,以时空的概念看待景观 ,把景观视为视觉所触及的一切实体与空间的总和 ,它有自然景观及人为景观之分 ,人在时间的流动与空间的转换中实现对景观的审美体验 .景观是存在于主体与客体之间的艺术 ,客体 (景物 )只有被主体 (人 )赋予了审美情感 ,它才能称其为景观艺术 ,人既存在于景观之中 ,同时又是景观的设计者和监护者 ,因此 ,笔者认为中国哲学中“天人合一”的思想 。
The author of the paper attempts to discuss artistic design of landscape from several aspects: 1) viewed from the conception of space\|time, landscape can be regarded as the sum total of substance and space which can be touched within vision; 2) landscape is composed of natural landscape and man\|made landscape; 3) the aesthetic experience toward landscape can be obtained during the time flow and the space change. Landscape is an art that lies between subject and object. Only when an object (scenery) is given an aesthetic sentiment by a subject (person), can it be named as an art of landscape. Thus Man not only lies in the landscape, but also is the designer and guardian of the landscape. Therefore, the author argues that the thought that nature and human being exist harmoniously together in Chinese philosophy still can be the superior notion in modern artistic design of landscape.
出处
《浙江科技学院学报》
CAS
2002年第2期52-56,共5页
Journal of Zhejiang University of Science and Technology
