摘要
本文从四个层次对景观艺术设计进行思考,第一个层次从时空的概念看待景观,把景观视为视觉所触及的一切物体与空间的总和,它有自然景观及人为景观之分;第二个层次认为景观必须具有审美意义,把景观视为主体与客体之间存在的艺术,客体(景物)只有被主体(人)赋予了审美情感,它才能称其为景观艺术;第三个层次把“天人合一”的思想视为景观艺术设计的最佳观念,惟有自然与人和睦共处才能营造最佳的景观;第四个层次指出人既是景观的一分子,又是景观的设计者、使用者和监护者。
The author of the paper attempts to discuss artistic design of landscape from several aspects: 1)viewed from the conception of space-time,landscape can be regarded as the sum total of substance and space which can be touched within vision;2)landscape is composed of natural landscape and man-made landscape;3)the aesthetic experience toward landscape can be obtained during the time flow and the space change.Landscape is an art that lies between subject and object.Only when an object (scenery) is given an aesthetic sentiment by a subject (person), can it be named as an art of landscape.Therefore,the author argues that the thought that nature and human being esist harmoniously together in Chinese philosophy still can be the superior notion in modern artistic design of landscape.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2005年第2期115-116,133,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design
