摘要
新世纪之交 ,实践美学受到来自后实践美学的挑战。从实践美学自身来说 ,由于过去对实践概念的狭隘理解 ,给实践美学的理论带来诸多隐患 ,造成了重认识论轻本体论、重社会轻个体、重理性轻非理性等等偏颇 ;另一方面由于对实践美学的片面的理解 ,使得它受到了很多建立在误读上的批评。重新阐释实践概念 ,修正上述偏颇 ,澄清人们以往对它的误读 ,使实践美学重树话语威信 ,并成为新时期美学理论多元共存格局中的有机组成部分 ,是本文的题旨所在。
At the turn of the new century, the Practice Aesthetics confronts the challenge from some new theories which belong to Post-practice Aesthetics. Narrowly being understood in the past, Practice Aesthetics had been brought some hidden troubles on, which resulted in laying too much stress on society, rationality and epistemology while paying less attention to individual, irrationality and ontology. Moreover, the unilateral understanding of the Practice Aesthetics made Practice Aesthetics being criticized from misreading. So we must correct those mistakes, and erect prestige of the Practice Aesthetics, make it become an organic part of aesthetics theories of the new era.
出处
《武汉理工大学学报(社会科学版)》
2002年第2期123-127,共5页
Journal of Wuhan University of Technology:Social Sciences Edition
基金
国家社会科学基金课题"实践美学范畴研究"(课题批号 :0 1BZX0 44)
关键词
实践
实践美学
实践本体
审美活动
肯定价值
practice
Practice Aesthetics
practice noumenon
aesthetic activity
affirmative value