摘要
由于西方随笔理论的引入 ,中国现代散文一开始便确立“闲话”体理论的独特地位和强势话语。但这一理论的背后 ,却潜伏着中国现代学者在理论上轻视散文的文学性和艺术价值的倾向。而本文意在寻找和研究与此不同的另一血脉的散文理论资源 ,指出“艺术性”美文的理论主张 ,经由周作人首倡 ,并得到梁实秋、徐志摩等人的积极回应 ,而后在 2 0世纪 3 0年代初以何其芳为代表的新进散文家那里得到全面发展 。
Due to the introduction of the western theories on essays, a specific place in approaching modern Chinese essays. However, this concept implies a theoretical underestimate of essays artistic value among modern Chinese scholars. This essay aims at sorting out another totally different approach towards modern essays,that is,the theory of 'artistically' elegant essays, which was first put forward by Zhou Zuoren, then reinforced by Liang Shiqiu and Xu Zhimo,in the 1930s by a group of new essayists represented by He qifang, thus showing its irreplaceable function and importance.
出处
《福建师范大学学报（哲学社会科学版）》
北大核心
2002年第1期62-68,79,共8页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
基金
福建省高等学校社会科学研究 2 0 0 1年度课题"西方随笔与中国现代散文" (JB0 1166)。
