摘要
“纯诗”是汉语新诗之审美现代性诉求的重要内容。作为现代诗学的重要范畴,“纯诗”在进入汉语语境以后历经了一个逐步走向成熟的变化过程。早期的“为诗而诗”和穆木天、王独清所倡导的“纯诗”,实现了新诗在“文体”上的自觉;梁宗岱和刘西渭对于“纯诗”意蕴的阐发,确立了新诗独立的“审美”意识;而唐和袁可嘉对于“纯诗”之内在规律的探索,则进一步显示了新诗在“艺术自律”层面的现代性诉求。“纯诗”的诗学取向正是汉语新诗最终实现其现代性转换的根本归宿。
The Poésie Pure is an important poetics category nominated by symbolic poet Paul Valery. It means that by the concrete description of object＇s substantiality, unalloyed poem should be revealed, and therefore the un-utilitarian poem roomage, which is different from reality could be created. But its connotation had greatly changed before coming in Chinese, Mu Mutian, Wang Duqing, Liang Zongdai, Liu Xiwei, Tang Shi and Yuan Kejia thought that the Poésie Pure was just an operable instrument to refute the real prosaism-poems; They made the Poésie Pure a formula,so that the Poésie Pure became the base on which the new Chinese poetry achieved its modem meaning.
出处
《厦门大学学报（哲学社会科学版）》
CSSCI
北大核心
2006年第1期18-24,共7页
Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
关键词
现代性
汉语
纯诗
Modernity, Chinese, Poésie Pure
