摘要
文艺美学是有待进一步发展和完善的新学科,在学科的交叉性质、学科的知识谱系定位、学科研究的方法论、学科的未来前景等方面出现了诸多争论,引发了学科更深层次的问题。本文通过中国文艺美学研究的学术史的梳理,分析和把握文艺美学的逻辑起点和价值终点,力求站在当代美学发展的前沿,注意吸收相关学科和新兴科技研究新成果,在价值论上将艺术审美同人的审美生成联系起来。认为:文艺美学的学术定位并不是缺乏理论体系,而是缺乏运用文艺美学这一学术视角来透视和剖析当代中国的文艺现状中的种种问题,在新世纪的学术话语中,文艺美学应承担的一系列极具现实意义的理论和实践课题,使文艺创作实践和文艺理论建设形成良性互动。
Literary aethetics still remains a n ew discipline to be further developed.There have been many disputes on its cross -disc iplinary nature,the defined positi on of its knowledge system,its research methodologies and its disc iplinary prospects.In its review of the history of China's literary aethetics studies,this paper exami nes the logical starting point of lit erary aethetics and its value ends.In its analysis,it draws from latest developments in relevant disciplin es and new scientific studies.It also associates aethetic appreciation with the generation of human aeth etic conception.The author argues that the academic positionin g of literary aethetics does not lack theoretical systems.Its defi-ciencies lie in the fact that few stud ies have been made to examine problem s in contemporary art and literature from perspectives of literary aethetics.In the academic dis course of the new century,lit-erary aethetics should focus on the s tudy of both theoretical and practic al topics which are of realistic significance.
出处
《深圳大学学报（人文社会科学版）》
北大核心
2002年第1期14-22,共9页
Journal of Shenzhen University：Humanities & Social Sciences
关键词
文艺美学
逻辑起点
学术定位
价值论
方法论
中国
当代
学术定位
literary aethetics
disciplinary d evelopment
logical starting point
academic posi-tioning
axiology
methodology
