摘要
文艺美学三十年,从上世纪八十年代的勃兴到九十年代以后因定位归属的困难而遭致一定程度的冷遇。现今,文艺美学理应在新的审美文化转型中获得新生。文艺美学新生的途径在于:一方面要摆脱精英主义的传统思路,积极介入日常生活审美化所形成的文化大潮中;另一方面要通过有效地批判性阐释,以引导大众在日益感性化、平面化、视觉化的审美体验之后,产生更高的审美需求。同时,要积极引入中国传统美学思想,用视象的话语方式弥补西方思辨话语的缺陷与不足,更好地解释审美和艺术的现实问题。
Literature and art aesthetics in the past 30 years began in the 1980＇s and later suffered some cold reception after 1990＇s due to the problems of orientation and classification. Now literature and art aesthetics can be revived in the transition of the new aesthetics culture. The route for its revival： literature and art aesthetics, on the one hand, should get rid of the elitist traditional thought, and should be actively involved in a big cultural wave triggered by daily life aesthetic activities, on the other hand, through the effective critical interpretation, literature and art aesthetics should help the people to develop higher aesthetic standards after the people have gone through increasingly perceptual, visual and planarization aesthetic experience. In the meanwhile, literature and art aesthetics should also actively introduce Chinese traditional aesthetic thought in an effort to make up for defects and deficiencies of the Western analytical discourse With Chinese visual discourse so as to better interpret practical issues of aesthetics and art.
出处
《合肥师范学院学报》
2009年第4期14-19,共6页
Journal of Hefei Normal University
基金
安徽高等院校省级教学研究项目(2008JYXM378)
关键词
文艺美学
学科建构
审美文化
反思
literature and art aesthetics
construction of discipline
aesthetic culture
reflection
