摘要
元曲包括散曲和杂剧两部分。散曲不仅是古代从乐府到词这一音乐文学传统的继承和发展 ,作为戏剧的杂剧艺术 ,由于其曲牌联套的形式 ,也和音乐具有密不可分的关系。而在元人的观念中 ,对曲的重视更多于对关目故事、戏剧冲突的注意。可以说 ,元杂剧是成熟的戏剧 ,但元人普遍的观念中 ,杂剧创作还在辞章之列。元曲艺术是以曲为本位的。
During the Yuan Dynasty,people paid more attention to Qu than to plots and drama conflicts. Yuan Dynasty dramas took Qu as the origin,concentrated on expressing emotions and creating artistic conception,which was totally different from the general dramas that valued story plots,drama conflicts and portraying characters.The Yuan Dynasty drama was mature drama,but in the popular idea of that time,it was a kind of art which was combined poetry with music.
出处
《青海师范大学学报(哲学社会科学版)》
2001年第4期129-132,共4页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)