摘要
在《红楼梦》广阔而宏达的叙事中,曹雪芹利用"神道设教"的民族叙事传统诗意地搭建了《红楼梦》的叙事架构,确立了多元的叙事权威,完成了人物设计和情节设计,传达了自己的生命感悟,使《红楼梦》成为抒情体小说经典。透过宗教叙事、诗性叙事,我们发现,曹雪芹关注的焦点是情性和生命。曹雪芹利用"神道设教"完成了小说的时间设置和空间设置,将所有人物聚集于大观园,将所有人物的生命律动聚焦于贾宝玉的诗意体验和悲剧感悟,通过"降凡"、"历劫"到"回归"这样一种心路历程,传达出作者对人性的掌控和对悲情的关怀。
In the grand narrative of A Dream of Red Mansions, CAO Xueqin poetically arranged the narrative framework of A Dream of Red Mansions using sayings about spirits and deities as a means of education, in accordance with the Chinese narrative tradition, established multi -dimensional narra- tive authority, completed the design of the characters and the plots, conveyed the life sentiments of himself,and A Dream of Red Mansions became a classic novel of lyricism. Through the narrative with flavors of religion and poet ry,.we could find that CAO Xueqin focused on the emotion and life. CAO Xueqin completed the set of time and space in the novel by making use of ghosts and superstition as a means of education, gathered all the characters in the Grand View Garden, made the rhythm of all people＇ s life together into JIA Baoyu＇ s poetic control of humanity and the concern for the traged experience and tragic sentiment, and conveyed the y by avatar, difficulties, out of the difficult.
出处
《江西师范大学学报（哲学社会科学版）》
CSSCI
2014年第2期61-66,共6页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
关键词
《红楼梦》
神道设教
叙事传统
A Dream of Red Mansion
using sayings about spirits and deities
narrative tradition
