摘要
拉斐尔前派既是浪漫主义的承继,又是唯美主义的开拓,且与象征主义、颓废主义、女性主义存在显性或隐性的关联,其艺术主张为"为艺术而艺术"、"艺术形式绝对化",哲学思想为"个人精神绝对化"。拉斐尔前派诗歌具有"形式至上"、"诗画一律"的唯美主义艺术风格,显示出独特的语言张力、意象张力和结构张力;具有"灵肉一元"的唯美主义特征,体现出精神与肉体的和谐一致。国内外学者对其诗歌进行了多视角、多维度的研究,取得了一些成果,尤其是《拉斐尔前派诗歌的唯美主义诗学特征研究》一书的出版,标志着拉斐尔前派诗歌研究在国内的新进展。
As the successor of Romanticism, the pioneer of Aestheticism as well, Pre - Raphaelite has some reces- sive or explicit relevance to symbolism, decadentisme and feminism, with its artistic principle ＂art for art＇s sake＂, ＂absolutization of artistic form＂, and its philosophical thought ＂ absolutization of individual soul＂. Pre - Raphaelite possesses not only the aestheticism artistic feature such as ＂the form supremacy＂ and ＂ the agreement of poems and paintings＂, revealing the unique tensions of language, images, and structures, but also the aestheticism ideological feature ＂Reinikuikchi＂, embodying the accordance of soul and body. Scholars at home and abroad have made some achievements by means of multiple - perspective and multi - dimensional research into Pre - Raphaelite＇ s poetry, in especial, the publication of the treatise ＂STUDY OF AESTHETICISM POETIC FEATURES OF PRE - RAPHA- ELITE POETRY＂ marks the new progress of the study of Pre - Raphaelite poetry.
出处
《榆林学院学报》
2014年第3期114-118,共5页
Journal of Yulin University
