摘要
文学史发展中,散文字句篇章等形式的发展,并非一蹴而就。唐宋以来,散文在篇章结构上得到了很好的发展,因此,唐宋派能够通过学习唐宋古文,总结出散文篇章的"开阖首尾经纬错综之法"。唐宋之前,汉代则是文学创作中字词运用高度发展的阶段,因此,七子派学秦汉文只看到字词之丰富,体现于创作中只能字拟而句摹。前后七子与唐宋派设定的学古目标不同,但学古的趋向存在一致之处,茅坤、王世贞等都很注重作家之意境、风格与"法"之关系,他们所谓"法",即能体现作家审美风格的修辞法则,其理论本质是对古代散文审美的自觉。
“Fa” associated with the retro trend of prose theory has two connotations in Ming Dynasty”.Firstly,“Fa” is related to “Qi”, and “Qi” has the features of fluidity and vitality , So the“Fa” is considered writing fundamentals.Secondly,“Fa” is relat-ed to “Yi jing” , which means people recognize prose consciously from the point of aesthetics .And the“Fa” is writer’ s distinctive methods of expression.
出处
《北方论丛》
CSSCI
北大核心
2014年第2期1-6,共6页
The Northern Forum
基金
中央高校基本科研业务费专项资金项目(编号:12LZUJBWYB040)阶段性成果
关键词
明代
文论
前后七子
唐宋派
法
Ming Dynasty
Prose theory
Qizi School
Tangsong School
＂Fa＂
