摘要
"发愤说"中的"愤"在唐代以前专指作家创作前情感郁结于心的憋闷心理状态,这种状态既可由愤怒等否定性情感引起,也可由创作主体极度快乐的情绪造成;"发愤"则是指作家通过文学创作来解除郁积在内心的憋闷情绪。"发愤说"很好地解释了作家进入正式创作前创作动力之所由的问题。"发愤说"滥觞于先秦的屈原,历经汉代的《淮南子》、司马迁、王逸的发展,降及有唐,孔颖达、韩愈等对其进行了新的诠释,使之成为一种成熟的文学创作理论。
In ancient Chinese literature, ＂Dissatisfaction Relieving＂ had been considered one of the important motivations for literary creation. It means that writers manage to get over the accumulated dissatisfaction through literary creation. Explaining the motivation of literary creation well, this hy- pothesis began with Qu Yuan before Qin Dynasty and continued through Han Dynasty up to Tang Dy- nasty when, re-interpreted by Kong Yinda and Han Yu, it developed into a full-fledged literary theory.
出处
《扬州大学学报（人文社会科学版）》
CSSCI
2013年第5期61-66,共6页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
基金
江苏省哲学社会科学项目(11ZWD017)
扬州大学人文社科项目
关键词
发愤说
文学创作理论
唐代文学
the notion of ＂Dissatisfaction Relieving＂
theory of literary creation
Tang Dynasty litera ture
