摘要
20世纪早期旅居中国的日本人当中不仅有人撰文评介京剧,还出现了一些研究京剧的团体。1920年代在上海成立的支那剧研究会就是其中一个引人注目的团体。他们举行各种观剧会、文艺座谈会,和中国文艺界,特别是和戏剧界广泛接触。此外,还发行会志《支那剧研究》,撰文讨论京剧艺术本质、京剧表演流派、京剧的对外传播等问题。本文将根据目前所掌握的历史文献材料,对以上内容进行梳理,并力图做出完整的描述。
In the early 20th century some Japanese living in China started to show interest in writing and publishing about Beijing Opera. Several research associations dedicated to this purpose soon appeared in the Japanese emigre community. The Chinese Dramatic Club launched in Shanghai was one of the better-known such groups. Its members frequently participated in opera parties and discussion sessions, and had wide-ranging interactions with the indigenous arts world in China, especially the theatre community. In addition, the Shanghai group also had a journal called Chinese Theatre Research, which published on such topics as the artistic essence of Beijing Opera, its performing styles, its international- ism and so on. Based on extensive archival research this article is aimed at sorting out those main activities and events as well as presenting a comprehensive picture of the lives of those Japanese aficionados and scholars of Beijing Opera in Shanghai.
出处
《中国比较文学》
CSSCI
北大核心
2013年第4期57-70,共14页
Comparative Literature in China
基金
教育部人文社会科学研究青年基金项目"近代以降日本对京剧的研究与接受"(11YJC760037)
广东省高校优秀青年创新人才培养计划项目"20世纪早期日本对京剧的研究与接受"(WYM11046)阶段性成果
关键词
支那剧研究会
日本人
京剧的研究与传播
the Chinese Dramatic Club
Japanese
Study and spread of Beijng Opera
