摘要
中国生态批评在中西生态文明的交流中生发,与西方生态批评构成了平行研究的共生关系。在生态性与审美性的耦合中,鲁枢元等学者初成了生态诗学,显示了中国生态批评的理论自觉。中国的绿色审美范式较之西方的绿色阅读范式,避免了生态诗理和绿色诗律的缺失,实现了生态性与审美性的平衡。中国生态批评虽形成了新的空间,然尚需寻求表征整体甚或总体空间的范畴,并以其为坐标,形成网格化的空间分布,进一步促进学科的体系化。
Eco-criticism of china originated in the exchange of Chinese and W＇estem ecological civilization. and it constitutes a symbiotic relationship with the western ecological criticism with its parallel study. In the eco- logical and aesthetic coupling, scholars as Lu Shuyuan initiate in building eco-poetics, showing the theoretical self-consciousness of Chinese eco-criticism~ Compared with western green reading model, the green aesthetic paradigm of china avoids the deficiency of ecological poetry and green versifieation, and it achieves a balance be- tween ecological and aesthetic nature. Although eco-criticism of china creates new space, it needs to seek the cat- egory to characterize the whole or overall space. Then it takes the category as coordinates, forms spatial distribu- tion of grid, and further promotes the systematization of the discipline,
出处
《鄱阳湖学刊》
2013年第3期78-84,共7页
Journal of Poyang Lake
