摘要
从1905年中国电影诞生,到1932年左翼电影出现之前,这28年属于旧市民电影时代,因为其题材、主题大多局限于恋爱、婚姻、家庭,所依托的文化资源是旧文艺和旧文学。20世纪20年代末期出现、30年代初期退潮的神怪武侠片,同样属于旧市民电影的范畴,因为它的艺术范式、苦情戏设置和情色元素配置都符合旧市民电影的总体特征。
From 1905 when China’s first film was born,to 1932 when first left-wing film coming into being,the 28 years can be identified as the old townsfolk-film period.Because the subject and theme of these films mainly involve love,marriage,and family,based on the culture resources such as old art and literature.Appearing from late 1920s to early 1930s,monster and kungfu films also fall into the type of old townsfolk-film,because the art paradigm,hardship design,and sexual element in these films,all embody the general characters of old townsfolk-film.
出处
《浙江传媒学院学报》
2013年第3期70-74,131,共5页
Journal of Zhejiang University of Media & Communications
