摘要
音乐与情绪关系的讨论正处于行为层面描述向认知及神经机制研究的初探阶段。线索一致性模型、音乐期待模型、协同化理论和多重机制模型分别从音乐线索、听者认知、音乐与听者互动关系及多重整合角度对音乐诱发情绪的过程做出了解释。当前分歧集中于三方面:(1)音乐诱发情绪是否必须以认知为中介;(2)诱发过程是一般领域还是特殊领域;(3)诱发情绪的机制是多元还是单一。文章提出确定概念同质、借助多指标测量和思考机制关系等解决思路,并阐明了此领域的研究趋势。
Researches on the relationship between music and emotions is in behavior level to cognition and neuroscience mechanism stage. Cue concordance mode, Expectancy model, Synchronization theory and Multiple-mechanism model respectively from the acoustic cues in music, the listener subject, the interacting between composer and listener and the integrated perspective explain the process of musical inducement of emotions, but three fundamental questions remain.： （1） whether emotions are influenced by music directly or must linked with cognitive？ （2） whether the process is domain-specific or domain-general？ （3） whether multiple or single mechanisms account for connections between music and emotion ？ This paper puts forward some solutions, inconcluding unification concept, use multi-index measurements and think mechanism relations, It also illustrates the field empirical research trend.
出处
《心理科学进展》
CSSCI
CSCD
北大核心
2013年第4期643-652,共10页
Advances in Psychological Science
基金
教育部人文社会科学重点研究基地重大项目(08JJDXLX266)
教育部研究基地重大项目(批准号:2009jjdxix002)共同资助
关键词
音乐情绪
音乐线索
期待
协同化
共情
music emotion
music cue
expectancy
synchronization
empathy
