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认知民族音乐学的理论与方法 被引量:14

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作者 张伯瑜
出处 《中央音乐学院学报》 CSSCI 北大核心 2000年第3期56-61,共6页 Journal of The Central Conservatory of Music
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  • 1Baily: John 1988 Anthropological and Psychological Approaches to the Study of Music Theory and Musical Cognition. Yearbook for Traditional Music 20: 114-125.
  • 2Blacking, John 1971 The Value of Music in Human Experience. Yearbook of The International Folk Music Council I:33-71.
  • 3Blacking, John 1973 How Music is Man? Seattle : University of Washington Press.
  • 4Blacking, John 1977 Some Problems of Theory and Method in the Study of Musical Chenge. Yearbook of the International folk Music Council 9: 1- 27.
  • 5Blacking, John 1979 The study of Man as Music-Maker. The Performing Arts, edited by John Blacking and Joan Kealiinohomoku. Pp3-15. The Hague: Mouton Publishers.
  • 6Castellano M. A. / Bharucha, j. / Krumhansl.C. 1984 Tonal Hierarchies in the Music of North India. dournal of Experimental Psychology, 113 : 39-412. Deursch, Diana.
  • 7Castellano M. A. / Bharucha, j. / Krumhansl.C. 1982 The Psychology of Music. New York:Academie Press.
  • 8Dorling, Jay/Harwood, Dane 1986.Music Cognition. Orlando : Academic Press,Inc.
  • 9Ellingson, Ter 1979 The Mathematics of "Tibetan Rol-Mo. Ethnomusicology" 23: 225 - 245.
  • 10Feld, Steven 1974 a Linguistics and Ethnomusicology. Ethnomnsicology 18:219-262.

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