摘要
同光体诗派的领军人物陈三立,青年时代在长沙受湖湘诗派影响,但后来诗风大变,师法对象由六朝诗转向唐宋诗,并逐渐转向宗法韩昌黎、黄山谷诗。进入民国后,湖湘诗派之后学反而受同光体特别是陈三立的影响。同光体诗派后来居上,居诗坛正宗。
Chen Sanli, the leader of Tongguang style, was affected by the school of Huxiang poets when he was young in Changsha. But later, the style of his poetry changed a lot. He turned the origin of the Six Dynasties to the Tang and Song Dynasties, and gradually to Han Changli and Huang Shangu. In the period of the republic of China, the successor of Huxiang poets was affected by Tongguang style, especially the impact of Chen Sanli. The Tongguang style rose to the top, and was in the dominant position of poetry field.
出处
《南昌大学学报（人文社会科学版）》
北大核心
2012年第5期116-123,共8页
Journal of Nanchang University(Humanities and Social Sciences)
基金
国家社会科学基金项目"陈三立与同光体诗派研究"(06BZW043)
关键词
陈三立
湖湘诗派
同光体
Chen Sanli
the school of Huxiang poets
Tongguang style
