摘要
"不墨守盛唐"几乎成了近代"宋诗派"审美宗趣的最大表征,尽管这一概括显得较为含混不清,却揭示了这样一个事实,即"宋诗派"所取法的诗法家数是以特定的文本为实质内容的。"三元"与"三关"说为"宋诗派"主流所孜孜追摹的范型文本,但具体辨绎,各家所宗主的模本并不完全一致,体现出各家不同的审美取向,而其羽翼的多向拓展,又从各方面丰富了"宋诗派"的诗学内涵,也为"宋诗派"开拓出宏阔的局面。
＂Do not stick to the conventinons of the Tang Dynasty＂seems to have become the modern Song poetry faction fun in the greatest aesthetic characterization.Although it is generally ambiguous,it has revealed to the fact that the Song poetry faction in the poem by Qufa Legalists is based on the specific content of the text.＂Ternary and three＂of the Song poetry faction as the mainstream diligently recovers the text norm,but the specific identification is not entirely consistent,reflecting various aesthetic orientations,and its wings have to expand and enrich the content connotation of the Song poetry faction from all aspects,and come to explore its wider range as well.
出处
《南昌大学学报（人文社会科学版）》
CSSCI
北大核心
2010年第2期103-107,共5页
Journal of Nanchang University(Humanities and Social Sciences)
关键词
近代“宋诗派”
唐诗接受
范型文本
modern song poetry faction
acceptable text norm of song
aesthetic perspective
