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戴维·洛奇的批评理论评析

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摘要 戴维·洛奇是当代英国具有较大影响力的小说家及批评家。洛奇的批评生涯经历新批评、经典结构主义和巴赫金诗学研究三个阶段。巴赫金诗学为洛奇最终包容各种不同的思想、信仰和创作技法提供了理论依据。
作者 蒋翃遐
出处 《盐城师范学院学报(人文社会科学版)》 2012年第2期68-71,共4页 Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)
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参考文献14

  • 1Bergonzi B. David Lodge [ M ]. Plymouth: Notheote House, 1995:48.
  • 2Bergonzi B. A Conspicuous absentee: the decline and fall of the Catholic novel[ J ]. Encounter, 1980, 55 (2 - 3 ).
  • 3Lodge D. Write On, occasional Essays 1965 - 1985 [M]. London: Secker, 1986:77.
  • 4张和龙.戴维·洛奇小说批评理论评述[J].外国语,2001,24(3):65-71. 被引量:15
  • 5Lodge D. The modes of modem writing [ M ]. London: Edward Arnold, 1977.
  • 6Lodge D. l_zmgtmge of fiction[M]. London: Routledge, 1966.
  • 7Lodge D. The novelist at crossroads [ M ]. Ithaca, New York : Cornell University Press, 1971.
  • 8Lodge D. After Bakhtin[ M ]. London: Routledge, 1990.
  • 9Lodge D. Working with structuralism [ M ]. London: Routledge & Kegan Paul, 1981.
  • 10Voloshinov V N. Marxism and the philosophy of language [M ]. Trans. Ladislav Matejka and I. R. Titunik. New York: Seminar Press, 19T3:85-86.

二级参考文献21

  • 1I. A. Richards, Principles of Literary Criticism, p.267, see David Lodge, Language of Fiction, pp.7-8.
  • 2David Lodge, Language of Fiction: Essays in Criticism and Verbal Analysis of the English Novel (New York: Columbia University Press, 1966), p.5,p.ix,p.46,p.47,p.47,p.48,p.47
  • 3David Lodge, After Baktin: Essays on Fiction and Criticism (London: Edward Arnold, 1990), p.75.
  • 4David Lodge, The Modes of Modem Writing: Metaphor, Metonymy and the Typology of Fiction (London: Edward Arnold, 1977), p.1,p.9.
  • 5David Lodge, The Art of Fiction: Illustrated from Classic and Modem Texts (London: Penguin Books, 1992), p.24.
  • 6See The Modes of Modern Writing, p.73.
  • 7David Lodge, Working with Structuralism." Essays and Reviews on 19th and 20th Century Literature (Boston: Routledge and Kegan Paul, 1981), p.10,p.72.
  • 8Working with Structuralism, p. 12,p.13.
  • 9See Working with Structuralism, p.13.
  • 10The Modes of Modern Writing, p.231.

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