摘要
本文以桑塔格的"营地"旨趣为核心,深入阐发她对艺术的情色呼唤以及对法西斯主义美学的迷恋,进而指出,她以性幻想为驱动力,形成了自己独特的艺术思想。作者认为,桑塔格对雌雄同体的倡导,在艺术实践中刻意营造"三人组"形象,旨在展现人类焦虑而紧张的性妄想,这既是艺术的书写,同时也是政治的书写。
Based on Susan Sontag＇s Camp as its core, this paper tries to explore further her claim on erotic art and her crushing on fascist aesthetic . It would reveal the dynamic of her sexual fantasies and the formation of her unique artistic thought. The main point of the paper is that Sontag advocates a hermaphrodite ideal in artistic practice by creating a ＂trio＂ to show the anxiety and tensions of human sexual delusions, which exemplifies that her writing is truly a work of art with political implications.
出处
《福建师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2008年第6期93-97,131,共6页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
基金
国家社会科学基金项目<20世纪美国左翼文学思潮研究>(08BWW008)
教育部人文社科研究基金项目<桑塔格与当代美国左翼文学研究>(06JA75047-99007)的研究成果
