摘要
《诗经.周颂》作为儒家经典中的颂神歌辞,具有典范意义,在儒家思想规范之下,郊祀歌辞制作者们自觉把经典作为模仿对象,在使用词汇上逐渐体现出抛弃"子史浅言"而归于"典诰大语"的特点,即在创作中所使用的词汇要来自于儒家经典。尽管如此,若将《诗经.周颂》与汉魏六朝郊祀歌辞相比较,汉魏六朝郊祀歌辞无论是句式还是韵式都出现了一些新变化。
Zhou Songs of the Book of Songs was considered as the template of hymns to god in Confucian＇ s classics, and consciously followed by Confucianism standardized poets. Such poems gradually abandoned the ＂superficial statements＂ and attributed to ＂elegant and solemn words＂, which means the words used in poetic creation should be derived from the sutras of Confucian classics. Nevertheless, if co Book of Songs, the fete poems in capital outskirt sacrificing ceremony during Han Dynasties presented a series of new changes in their sentence types and cadence types .
出处
《海南大学学报（人文社会科学版）》
CSSCI
2012年第1期11-16,共6页
Journal of Hainan University （Humanities & Social Sciences）
基金
教育部哲学社会科学研究重大课题攻关项目(09JZD0012)
关键词
汉魏六朝
郊祀歌辞
句式
韵式
新变化
Han Dynasty
Wei Dynasty and Six Dynasties
fete poems in capital outskirt sacrificing ceremonies
sentence types
cadence types
new changes
