摘要
在20世纪后半叶,空间理论的兴起极大地拓展了文学理论的视域和空间。本文以空间叙事理论为基础,从物理空间、心理空间这两个方面具体分析美国当代女诗人西尔维亚·普拉斯自传体小说《钟形罩》的空间叙事特点,指出物理空间的挪移和并置、回溯等叙事手法的交织、心理空间的拥堵和闭锁同碎片化叙事的结合不仅增强了小说的立体空间效果,重要的是,它们起到了阐释和深化主题的作用。
The appearance of spatial theory in late 20th century has greatly expanded the perspective and space of literary criticism.Based on the spatial narrative theory,this paper analyzes the physical and psychological spaces in Sylvia Plath＇s The Bell Jar.It argues that such narrative techniques as juxtaposition,retrospection,and fragmentation function as spatial metaphors of physical movements and psychological blocks,creating remarkable spatial effects and thus illustrating the thematic concerns of the novel.
出处
《当代外国文学》
CSSCI
北大核心
2011年第4期85-91,共7页
Contemporary Foreign Literature
