摘要
曹禺在五四新文化运动期间,接受西方戏剧,特别是西方现实主义戏剧的影响,从而走上话剧创作道路,从其代表作《雷雨》《北京人》的戏剧结构、戏剧冲突、人物刻画和戏剧语言几方面,可以看出曹禺话剧创作的民族化过程。曹禺为中国的话剧艺术走向成熟做出了巨大努力,对戏剧艺术做出了突出的贡献。
This article takes two different periods of Caoyu＇s representative ——Thunderstorm,Peking Man as an example,discusses Caoyu＇s early time Thunderstorm and so on the dramatic works indeed to have ＂spends but has the trace＂ phenomenon in west art,however,Peking Man in the afterwards melts already gradually with west art and nation art for an integral whole reaches the realm there being no trace on Great Snow.Aim at passing the nationalization combing Caoyu process,knows the Caoyu contribution in the field of modern drama nationalization,answers rationally Caoyu early phase ＂spends but has the trace＂ phenomenon to west n t,now that the art explaining Caoyu to west drama having drawing lessons and admitting,also,place of being innovative having individual,expounding thereby accepts outside effect and is indispensable to excellent one writer to tradition literature culture inheriting.
出处
《宝鸡文理学院学报（社会科学版）》
2011年第3期88-91,共4页
Journal of Baoji University of Arts and Sciences：Social Science Edition
